It is excellent, as is the first one. I was disappointed by Rush To Relax though.David wrote:Put on Primary Colours by Eddie Current Suppression Ring in the car today. One of the really good Australian albums of the last few years.
PS it's Eddy.
Moderator: bbmods
It is excellent, as is the first one. I was disappointed by Rush To Relax though.David wrote:Put on Primary Colours by Eddie Current Suppression Ring in the car today. One of the really good Australian albums of the last few years.
Oops.Pied Piper wrote:It is excellent, as is the first one. I was disappointed by Rush To Relax though.David wrote:Put on Primary Colours by Eddie Current Suppression Ring in the car today. One of the really good Australian albums of the last few years.
PS it's Eddy.
More of a Beethoven person myself. His 7 Allegretto 2 is the favourite part of any symphony for hubby and I. We used to go and see and hear it performed at Albert Hall whenever it came up.Pies4shaw wrote:Jorge Bolet playing his 1953 Remington recording of Prokofiev's Piano Concerto No 2 in G Minor. This has just been transferred by Appian Publications & Recordings and appears for the first time ever on CD ("Jorge Bolet: His Earliest Recordings", APR 6009). I paid a small fortune to buy a scratchy old record of the Prokofiev from the US a couple of years ago, so, as ever, my timing is impeccable.
The set also includes Bolet's other 1953 Remington recording (Chopin's 4 Scherzi) and his two 1952 LPs for Boston ("Airs of Spain" and "Recital Favourites"). Saint-Saens, Moszkowski, Mendelssohn, Liszt, Beethoven, Lecuona, Granados, Falla, Albeniz, Prokofiev and Chopin, rendered beyond brilliantly by a man some (well, me, anyway) say was the greatest pianist ever recorded.
If you want to hear what actual genius sounds like when it's directed at a grand piano, you should listen to this.
I don't think they changed their sound a great deal, really. I think it's the songwriting that's the problem - a couple of long ones that wear out their welcome, a couple of short ones that don't really justify their existence, and three or four others (I'm sure you can pick them) that are completely half-baked and just don't go anywhere at all. Plus a couple of crackers that would have made a great 7" single. I can see why they've decided to take a break.David wrote:Oops.Pied Piper wrote:It is excellent, as is the first one. I was disappointed by Rush To Relax though.David wrote:Put on Primary Colours by Eddie Current Suppression Ring in the car today. One of the really good Australian albums of the last few years.
PS it's Eddy.
I agree, by the way. Put RTR on as well, and apart from a few songs it just wasn't grabbing me. Why do you think they changed their sound so much?
So when did you stop listening?think positive wrote:we're all oldPeter Griffin wrote:None of us are listening to anything new. Gee I wonder why
the new stuff is shit!!
ill 2nd the cold chisel!!
When my deafness got to a level that meant I could not understand the words - and when bands started to run their words together, making it impossible for me - I stopped learning new songs I guess.Pied Piper wrote:So when did you stop listening?think positive wrote:we're all oldPeter Griffin wrote:None of us are listening to anything new. Gee I wonder why
the new stuff is shit!!
ill 2nd the cold chisel!!
I listen to mostly old stuff too, but every era has produced good stuff; you've just got to find it, and that takes time and effort, especially as there's so much crap to wade through (but it was ever thus).
Eddy Current (discussed above) are a fantastic band from Melbourne. If you were at the GF, one of their songs featured prominently in the warm-up.
First movement: http://www.youtube.com/watch?v=n89wSS3YpdIannewilo wrote:^couldn't find the 53 on youtube.